Archives for the education category


Textbooks as a service rather than a product

Tuesday, February 12th, 2008

There have been lots of good ideas being floated around at the
O’Reilly Tools of Change Conference for Publishing but I just heard one of the best.

At the conclusion of one of today’s sessions, an audience member asked the panel about the danger of releasing textbooks into academic environments without DRM. Ben Vershbow turned the question around. He responded that the entire notion of textbooks should be rethought, and that textbooks should be thought of as extensions of the classroom learning environment rather than as products — and as such, educational publishers should think of providing text books as a service rather than a product.

view from the 38th floor

View of NYC from the conference site

Climbing and learning

Wednesday, January 23rd, 2008

Last evening’s jaunt to the Mission Cliffs climbing gym was successful in that I completed more bouldering routes than the number of mild injuries I sustained. I pushed myself to the limits of what I was able to do, just as all of the other climbers were pushing themselves to their limits, as well. In the midst of all the climbing and falling, I thought about how extraordinary it was that all of us within the bouldering area were able to work at the edge of our capacities although we were at such different skill levels.

How the climbing gym works is that the walls are covered in holds of various shapes and sizes. The holds are each marked with a colored piece of tape corresponding to a different level of route. You can do a V0 course, the easiest level, by climbing up the wall using only the holds marked with the color indicator for that course. On the same wall, there might be a V4, a much more challenging course, by following that course’s color of labeled holds. A course is more challenging when the holds are smaller and further spaced apart. In effect, the levels are all mixed in together on the same walls. Beginner boulderers can watch how the more experienced boulderers take risks and solve problems, and the more advanced can offer guidance to the newbies since we’re all climbing in the same place at the same time.

As the gym hours were winding down and more reasonable people had gone home for the night, Tantek and I observed a group of steadfast climbers continuing to huddle by one of the walls. They were creating their own climbing routes.

We talked about why they were doing this — about how there are many beginner-level routes, but as boulderers advance, there are fewer people at each skill level and correspondingly fewer courses. Advanced boulderers, then, have many fewer options, and thus are likely to want to create their own courses using the existing holds.

We brainstormed on how the newly-defined “hybrid” courses could be marked so that other people could follow them, as well. Some ideas were to have fiber optics in the holds that could be toggled on to highlight the correct holds. Another idea was to have all of the holds be translucent and only the applicable ones be lit from behind.

The climbing walls as they exist are an excellent example of how to cultivate an environment in which most learners can operate within their zone of proximal development. Allowing configuration of the climbs in a web 2.0-esque user generated fashion would allow the most advanced members of the community to operate within their ideal learning zone, as well (though our ideas are impractical, at best).


by freekorps, found on flickr

Now online: The comp lit thesis (for entertainment’s sake)

Saturday, November 10th, 2007

Inspired by Salman Rushdie’s recent knighting, I fished out the Word file for my BA thesis on Rushdie and Pham Van Ky and shoved it into HTML.

Here, for your reading pleasure: Writing Beyond Words:
Metamorphosis, Schizophrenia and Hybridity in Ky and Rushdie

Watch out for the few pearly grains of interesting ideas nestled in a bland soufflé of passive sentence structures, further obfuscated by a rich gravy of nearly incomprehensible lit crit jargon. (In what other field could you get away with using words like “deterritorializing” and “textuality”?) You will enjoy this essay only if you have a large amount of time on your hands, know some French, and possess at least a passing interest in postmodern theory. Even then, no promises.

And here’s a blurry photo of me with Sir Rushdie:
Salman Rushdie and Juliette Melton, Harvard University

(My mother’s reaction when she saw this photo — Suspicious tone: “What is this picture of you and that older gentleman?” Me: “You mean Salman Rushdie?” Mom: “Oh. Yes, that is who that is.”)

Slashdot: SAS CEO Blasts Old-School Schooling

Friday, October 5th, 2007

Seen on slashdot:

What does SAS CEO Dr. Jim Goodnight have in common with 47% of high school dropouts? A belief that school is boring. Marking the 50th anniversary of Sputnik with a call for renewed emphasis on science and technology in America’s schools, Goodnight finds today’s kids ill-served by old-school schooling: ‘Today’s generation of kids is the most technology savvy group that this country has ever produced. They are born with an iPod in one hand and a cell phone in another. They’re text messaging, e-mailing, instant messaging. They’re on MySpace, YouTube & Google. They’ve got Nintendo Wiis, Game Boys, PlayStations. Their world is one of total interactivity. They’re in constant communication with each other, but when they go to school, they are told to leave those ‘toys’ at home. They’re not to be used in school. Instead, the system continues teaching as if these kids belong to the last century, by standing in front of a blackboard.’

One example of how online information services improve in-classroom learning

Friday, September 28th, 2007

On Confessions of a Science Librarian: an interview with CJ Rayhill, Senior Vice President at Safari Books Online

Excerpt:
“The future of the textbook market is clearly shifting. You have products like SafariU, iChapters, and CourseSmart beginning to emerge to solve a difficult issue — the high cost of textbooks. In addition, most higher-education courses involve exposure to content from multiple sources which makes the cost of purchasing all of the required and recommended reading for students out of reach. So what happens is that students end up not even purchasing required content which must diminish the value of their educational experience.”

How not to do instructional design navigation

Thursday, April 12th, 2007

“Help” is a pretty unhelpful navigation label. What’s even less helpful is if instead of saying “help” you say “H” and then put “help” in tiny letters underneath.
unhelpful help label

Now, the instructional designer for this online course needs to explain that you need to click “H” to get to “help” which is where you’ll learn “how to use this course.”

Starting the Course
If this is the first time using this course, please click Help (”H” top-right navigation) to learn about how to use this course. If you are familiar with teh course, click the Overview topic in the drop-down menu to begin.

When you see “click Next to continue,” in the course topics, please click the Next button (”>”) in the top-right navigation bar.

There’s a lot of extra space in the design. I would change the link text to “Learn how to use this course.” I’d recommend also changing the > to “Next page.” (And then make the “back” button operable; I had to reload the large Flash file to get back to the main page.)

As a rule, if you have to parenthetically explain how to use your navigation, you should reevaluate your navigation design and labels.

Using flickr to teach art history

Thursday, March 22nd, 2007

(originally posted to linoleumjet.com)



Originally uploaded by beth h..

A colleague recently shared this wonderfully creative and effective example of using flickr as a teaching tool.

The instructor put notes directly on the image, and the students provided comments of their own. The discussion is mediated by, rather than peripheral to, the image.

I’m thinking about about how this could be integrated into museums; imagine putting a touch screen next to a painting (or perhaps as an overlay to a painting!) and inviting the viewer to add their own notes about what they see. With all of the talk about podcasts in museums, why not more thought about developing visually oriented tools to work with visual media in museums?